Books
Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Durham, NC: Duke University Press, 2022)
Articles
Nicole Erin Morse, “Sufficient Magic: Queer Prison Comix as Liberation Praxis,” Inks: The Journal of the Comics Studies Society 8, no. 2 (2024): 137-152.
Nicole Erin Morse, “Lifelike Portraits and ‘Life Itself’: Deepfakes through Gothic Horror,” in Reconfiguring the Portrait: Techniques, Forms, Concepts, edited by Abe Geil and Tomáš Jirsa, under contract with Edinburgh University Press (2023): 121-42.
Nicole Erin Morse, “Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert,” Journal of Popular Film and Television 50, no. 1 (2022): 2-12.
Nicole Erin Morse, “Give Us Our Bread and Our Roses: A Materialist Trans Feminist Approach to Media Criticism,” in “Dossier: Futures of Marxist Film and Media Studies” edited by Beth Capper and Chris Robe, Jump Cut: A Review of Contemporary Media (Fall 2022).
Nicole Erin Morse and Lauren Herold, “Beyond the Gaze: Seeing and Being Seen in Contemporary Queer Media,” Jump Cut: A Review of Contemporary Media, vol. 60 (2021).
Nicole Erin Morse, “A Frown Turned Upside Down: Hypervisibility and Obscurity in Vivek Shraya’s Trauma Clown (2019),” Public 62 (2021): 28-37.
Nicole Erin Morse, “Where Do Aliens Pee?: Bathroom Selfies, Trans Activism, and Reimagining Spaces,” in Media Crossroads: Intersections of Space and Identity in Screen Cultures, edited by Angel Daniel Matos, Paula J. Massood, and Pamela Robertson Wojcik (Durham, NC: Duke University Press, March 2021): 21-33.
Nicole Erin Morse, “A Madea Sensation: Paradox and Trans Feminist Possibilities in Tyler Perry’s Work,” Discourse: Journal for Theoretical Studies in Media and Culture 42, no. 3 (Fall 2020), 332-355.
Nicole Erin Morse, “Authenticity, Captioned: Hashtags, Emojis, and Visibility Politics in Alok Vaid-Menon’s Selfies,” Media/Culture, vol. 20, no. 3 (2017)
Nicole Erin Morse, “Seeing Double: Visibility, Alternative Temporality, and Transfeminine History in Transparent,” Jump Cut 57 (2016)
Nicole Erin Morse, “A Double-Take on Reality Television: Laverne Cox’s Political and Pedagogical Gestural Humor,” Feminist Media Studies, vol. 16 (2016), pp. 168-180
Nicole Erin Morse, “Pornography in Sex Research: The Construction of Sex, Gender, & Sexual Orientation,” Porn Studies, vol. 2, no. 4 (2016), pp. 314-328
Videographic Criticism
“Dressed to Kill Hetero Cis Patriarchy,” [in]Transition Special Issue: “The Feminist Diptych,” edited by Catherine Fowler, vol. 10, no. 3 (2023).
“Some People Like Hearing Sad Things,” [in]Transition: The Journal of Videographic Film & Moving Image Studies, vol. 5, no. 3 (2018).
Other Writing
“A Flat Tire Deflates. Weariness and DEI,” Rekto Verso, May 31, 2024.
“‘It’s Not Steroids, it’s Testosterone!’: Deconstructing Gender and Sex in Bros (2022),” with Lauren Herold, Flow: A Critical Forum on Media and Culture (September 2023).
“#SayGay,” Collateral Journal: Collision 90 (July 2023).
“Would You Like to Share Your Pronouns? Care and Coercion on Zoom,” Collateral Journal: Collision 79 (July 2022).
“Were You Looking at the Woman in the Red Dress? The Male Gaze in The Matrix” Flow: A Critical Forum on Media and Culture 28, no. 7 (2022).
“Visual Pleasures in Magic Mike’s Cinema,” Flow: A Critical Forum on Media and Culture 28, no. 3 (2021).
“Book Review of Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change,” Critical Inquiry, July 29, 2020.
“Trans* Cinematic Embodiment: Spectator and Screen,” TSQ: Transgender Studies Quarterly 7, no. 3 (2020): 524–526.
“No One is Disposable: Ecofeminism and Climate Crisis,” with Daniella Orias, in Celebrating 50 years of Gender, Women, and Sexuality Studies, edited by Julie Shayne (Washington: Pressbooks, 2020).
Review of Ilan Stavans’s “I Love My Selfie” for boundary2 (2017).
“Daughter, Mother, Mirror: Zackary Drucker's Southern For Pussy,” Open TV – Beta (2015).